๐Ÿงต Kim Ki Jeong | Shadow Touch






ํ‘ธ๋ฅธ์ƒ‰ ๋ณด์˜จ(ไฟๆบซ) 

ํ•œ์ง€๋ฅผ ์†Œ์žฌ๋กœ ์ฒœ๊ณผ ๊ฐ™์ด ๊ฐ€๊ตฌ๋“ค์„ ๋ฎ๊ณ , ์กฐ๊ฐ๋“ค์„ ๊ฟฐ์–ด ๋‹ด์š”์™€ ๊ฐ™์ด ์ผ์ƒ์˜ ์˜จ๊ธฐ๋ฅผ ๋”ํ•˜๋Š” ์กด์žฌ๋“ค๋กœ ํ‘ธ๋ฅธ ๋ฐฉ์ด ์ฑ„์›Œ์กŒ๋‹ค. ์—ฌ๋ฆ„์ด ์ง€๋‚˜๋ฉด ์—์–ด์ปจ์„ ๋ฎ์—ˆ๋˜ ์–ด๋จธ๋‹ˆ์˜ ๋ชจ์Šต, ์œ ๋ฆฌ ์•„๋ž˜ ์ฒœ์ด ๊น”๋ ค ์žˆ๋˜ ๊ธฐ์–ต ์† ํƒ์ž๋“ค์˜ ๋‹จ๋ฉด์ด ๋– ์˜ค๋ฅธ๋‹ค. ํ• ๋จธ๋‹ˆ ๋Œ์— ๊ฐ€๋ฉด ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋ถ€์งํฌ๋กœ ๋ฎ์ธ ์˜ท ๊ฐ€๋ฆฌ๊ฐœ ๋“ฑ๋“ฑ ์ฐจ๊ฐ€์šด ๋ฌผ์„ฑ์— ์„ฌ์œ ๋ฅผ ๋ฎ๊ฑฐ๋‚˜ ๋ฐ”์น˜๋Š” ์‚ถ์— ์ต์ˆ™ํ•จ์„ ๋Š๋ผ๊ณ  ์žˆ๋‹ค๋ฉด ์ž‘๊ฐ€๊ฐ€ ์ „๋‹ฌํ•˜๊ณ  ์‹ถ์€ ๋”ฐ๋œปํ•œ ์ •์„œ์— ๊ฐ€๊นŒ์ด ๋‹ฟ๊ฒŒ ๋œ๋‹ค. ์ž‘๊ฐ€์—๊ฒŒ ํ•œ์ง€๋ž€ ์ฒœ์˜ ์„ฑ์งˆ๊ณผ ์œ ์‚ฌํ•œ ์†Œ์žฌ๋กœ ๋ฐ›์•„๋“ค์ธ๋‹ค. ๋ฌผ์— ์ ์…” ํ‘ธ๋ฅธ ์—ผ๋ฃŒ๋ฅผ ์—ผ์ƒ‰ํ•˜๊ณ , ๋ฌผ์— ๋ถˆ๋ฆฐ ํ•œ์ง€๋ฅผ ์ ‘์–ด ๋ง๋ฆฐ ํ›„ ์ ‘ํžŒ ์ž๊ตญ์„ ํ†ตํ•ด ํŒจํ„ด์„ ๋งŒ๋“ค๊ธฐ๋„ ํ•œ๋‹ค.

์ด๋ฒˆ ์ „์‹œ์— ํ•œ์ง€์™€ ์‹ค๋กœ ์—ฎ์€ ํƒœํ”ผ์ŠคํŠธ๋ฆฌ ์ž‘ํ’ˆ๋“ค์„ ์ฃผ๋ชฉํ•œ๋‹ค. ์ด์ „๊ณผ ๋‹ฌ๋ฆฌ ์ž‘๊ฐ€๋Š” ํ•œ์ง€๋ฅผ ์†์œผ๋กœ ์ฐข์–ด ์‹ค๊ณผ ํ•จ๊ป˜ ์ปคํŠผ๊ณผ ์นดํŽซ์˜ ํ˜•ํƒœ๋กœ ์ง์กฐ๋กœ ๊ต์ฐจํ•œ๋‹ค. ๊ธฐ์กด์— ์‹ค๋กœ ์—ฎ์€ ์ž‘์—…์— ํ•œ์ง€๋ฅผ ๋ง๋Œ„ ์ž‘์—…์—์„œ ์ข€ ๋” ํ•œ์ง€์™€ ์‹ค์„ ํ•˜๋‚˜๋กœ ์ธ์ง€ํ•˜๊ฒŒ ํ•œ๋‹ค๋Š” ์ ์—์„œ ๋ณ€ํ™”๋ฅผ ๋ณด์ธ๋‹ค.

์ž‘๊ฐ€๋Š” ํ•œ ์ง‘์—์„œ ์˜ค๋žœ ์‹œ๊ฐ„ ๋™์•ˆ ์‚ด๊ณ  ๊ณ„์…จ๋˜ ํ• ๋จธ๋‹ˆ ์ง‘์„ ์ •๋ฆฌํ•˜๋ฉฐ ์—ฌ๋Ÿฌ ์‚ถ์˜ ์ง€์ธต๊ณผ ๊ฐ™์€ ๋ฒฝ์ง€์˜ ๋ ˆ์ด์–ด๋“ค, ์˜›๋‚  ํƒ€์ผ์˜ ํ”์  ๋“ฑ์„ ๋ฐœ๊ตดํ•œ๋‹ค. ์ž‘๊ฐ€๋Š” ์ด๋ฅผ ์„ฌ์œ ์˜ ํ…์Šคํƒ€์ผ ๋ฌธ์–‘์ฒ˜๋Ÿผ ์ด๋ฅผ ๊ธฐ๋กํ–ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์กฐ๊ฐ๋“ค์ด ์กฐ๊ฐ๋ณด์ฒ˜๋Ÿผ ๊ฟฐ์–ด์ ธ ๊ณต๊ฐ„ ์ค‘์•™ ์† ๊ฐ€๊ตฌ์žฅ์„ ๋ฎ์€ โ€˜Night Patchesโ€™๊ฐ€ ๋œ๋‹ค. ๋งˆ์น˜ ๋™ํŠธ๊ธฐ ์ „ ์ƒˆ๋ฒฝ๋…˜์— ์ž ์—์„œ ๊นฌ ์ฑ„ ํ• ๋จธ๋‹ˆ์˜ ์žฅ์„ ๋ฐ”๋ผ๋ณด๋Š” ๋“ฏํ•œ ์ธ์ƒ์—์„œ ํ‘ธ๋ฅด์ง€๋งŒ ๊ทธ ์•ˆ์€ ๋”ฐ๋œปํ•  ๊ฒƒ๋งŒ ๊ฐ™๋‹ค.

์ผ์ƒ ์ €๋ณ€ ์–ด๋”˜๊ฐ€ ์กด์žฌํ–ˆ๋˜, ์กด์žฌํ•˜๊ณ  ์žˆ๋Š” ๋”ฐ์Šคํ•จ์— ๋Œ€ํ•˜์—ฌ ์—ญ์„ค์ ์ด๊ฒŒ๋„ ๊น€๊ธฐ์ • ์ž‘๊ฐ€๊ฐ€ ์ฃผ๋กœ ์ธ์šฉํ•˜๋Š” ์ƒ‰์ฑ„ ์–ธ์–ด๋Š” ํ‘ธ๋ฅธ์ƒ‰์ด๋‹ค. ํ‘ธ๋ฅธ ๋ฐฉ์— ๋“ค์–ด์˜ค๋ฉด ๊ฑธ์Œ์„ ์˜ฎ๊ธธ์ˆ˜๋ก ๋ฐ์•„์ง€๋Š” ํŒŒ๋ž€ ๋น›์„ ๋Š๋‚„ ์ˆ˜ ์žˆ๋‹ค. ๊ณต๊ฐ„์—๋Š” ์ด๋Ÿฌํ•œ ๋น›๊ณผ ๊ทธ๋ฆผ์ž๊ฐ€ ํ•จ๊ป˜ ์กด์žฌํ•œ๋‹ค. ์ผ์ถœ์ด ์‹œ์ž‘๋˜๊ธฐ ์ง์ „ ํŒŒ๋ž—๊ฒŒ ๋ฌผ๋“  ์„ธ์ƒ์„ ๋”ฐ๋œปํ•˜๊ฒŒ ๋ฐ”๋ผ๋ณด๋Š” ์ž‘๊ฐ€์˜ ๊ฐ์ƒ์€ ์‹œ๊ฐ๊ณผ ๋งˆ์Œ์— ๊นƒ๋“  ๊ธฐ์–ต์˜ ๊ฐ๊ฐ์œผ๋กœ ๋น„๋กฏ๋œ ์˜จ๋„๋กœ ์ฝํžŒ๋‹ค. ๋˜ ๋‹ค๋ฅธ ํŒŒ๋ž€์ƒ‰์˜ ์•„๋ฆ„๋‹ค์šด ๋ฉด๋ชจ๋Š” ์ƒ‰์ฑ„ ์‹ฌ๋ฆฌ์—์„œ ์œ„๋กœ์™€ ํฌ์šฉ์˜ ์ƒ‰์ด๋ผ๋Š” ์น˜์œ ์˜ ํž˜์ด๋‹ค. ์ด๋ฅผํ…Œ๋ฉด ๋“œ๋ผ๋งˆ ์† ์ฃผ์ธ๊ณต์ด ์ƒ์‹ฌ์— ์ –์–ด ์žˆ์„ ๋•Œ ๋ฐ”๋‹ค๋‚˜ ๊ฐ•๊ฐ€๋ฅผ ๋ฐ”๋ผ๋ณด๋ฉฐ ๋งˆ์Œ์„ ๋‹ค๋…์ด๋Š” ๋ชจ์Šต์ฒ˜๋Ÿผ, ์ž์—ฐ ์†์—์„œ ํŒŒ๋ž€์ƒ‰์ด ์ฃผ๋Š” ํž˜์€ ์šฐ๋ฆฌ์—๊ฒŒ ๊ผญ ํ•„์š”ํ•œ ์ƒ‰์ด๋ผ๋Š” ๊ฑธ ๋‹ค์‹œ๊ธˆ ๋– ์˜ฌ๋ฆฌ๊ฒŒ ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์˜๋ฏธ์—์„œ ์ž‘๊ฐ€๊ฐ€ ์ œ์•ˆํ•˜๋Š” ํŒŒ๋ž€์ƒ‰์„ ๋ฐ”๋ผ๋ณด๋Š” ๊ฒƒ๋งŒ์œผ๋กœ๋„ ๋”ฐ๋œปํ•˜๋‹ค๋Š” ์˜๋ฏธ๋ฅผ ์—ฌ๋Ÿฌ ๊ฐ๋„์—์„œ ํ•ด์„ํ•ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค.

๋ฎ์–ด์ง€๊ณ  ์—ฎ์ธ ํŒŒ๋ž€์ƒ‰์˜ ์—ฌ๋ฏผ ํ”์ ์„ ๋”ฐ๋ผ ์ €๋งˆ๋‹ค์˜ ๋‚ด์žฌ๋œ ์ต์ˆ™ํ•œ ๊ธฐ์–ต ์† ์ž”์ƒ๋“ค๊ณผ ๊ฐ๊ฐ์„ ๋งค๋งŒ์ ธ ๋ณธ๋‹ค. ๋ณด๋Š” ์ด๋กœ ํ•˜์—ฌ๊ธˆ ์ €๋งˆ๋‹ค์˜ ๊ธฐ์–ต ํ†ต๋กœ๋ฅผ ๋”ฐ๋ผ ๋‹ค๋ฅธ ๊ธธ๋กœ ๋น ์ ธ๋‚˜๊ฐ€๋„, ์ž‘๊ฐ€๊ฐ€ ์ •์˜ํ•œ ํŒŒ๋ž€์ƒ‰์„ ํ†ตํ•ด ์šฐ๋ฆฌ๋Š” ์ด์•ผ๊ธฐ์˜ ์‹œ์ž‘๊ณผ ๋์—์„œ ๊ธธ์„ ์žƒ์ง€ ์•Š๊ณ  ๋‹ค์‹œ ๊ทธ ์˜จ๊ธฐ๋กœ ๋Œ์•„์˜ฌ ์ˆ˜ ์žˆ๋‹ค.  



Blue Warmth

The blue room is filled with objects covered in hanji (traditional Korean paper) like fabric over furniture, and quilted together to add warmth to daily life, much like a blanket. As summer ends, memories surface of my mother covering the air conditioner, and tables with fabric under glass tops. Visiting my grandmother's house, I recall clothing covers made of non-woven fabric, and I feel a familiarity with covering or lining cold materials with fabric. This brings me closer to the warm sentiment the artist Ki Jeong aims to convey. For the artist, hanji is a material similar to fabric. It can be soaked in water and dyed with blue pigments, folded and dried to create patterns from the creases.

This exhibition showcases tapestry works woven with hanji and thread. Unlike her previous works, she now hand-tears hanji and weaves it with thread to create forms resembling curtains and carpets. This marks a shift from her earlier approach, where hanji was added to thread-based pieces, by integrating hanji and thread into a single, cohesive entity.

While organizing her grandmotherโ€™s house, where she had lived for many years, she discovered layers of wallpaper and traces of old tiles, reminiscent of different eras of life. She documented these findings in patterns resembling textile designs. These fragments were then stitched together like a patchwork quilt to create โ€Night Patches,โ€œ a piece that covers a cabinet in the center of the space. The artwork evokes the feeling of waking up at dawn and gazing at her grandmotherโ€˜s cabinet, a scene that feels both blue and warmly nostalgic.

Paradoxically, the color language that she uses to describe the warmth that exists and existed in everyday life is blue. When you enter the blue room, you can feel the blue light getting brighter with each step you take. In this space, that light and shadow coexist. The artist's warm view of the world, tinged with blue just before sunrise, can be interpreted as a temperature derived from the sensory memories embedded in her vision and mind. Another beautiful aspect of blue is its healing power, being a color of comfort and embrace according to color psychology. For instance, like a scene in a drama where the protagonist finds solace by gazing at the sea or a river, the power of blue in nature reminds us how essential this color is for us. In this sense, the warmth that she attributes to simply looking at blue can be understood in many different ways.

Following the traces of blue that cover and weave together, we can touch upon the familiar memories and sensations within us. Even if each viewer takes a different path through their personal recollections, the blue defined by Ki Jeong ensures that we don't lose our way. We can always return to the warmth at the beginning and end of the story.
























Artistโ€™s Statement

๋‚˜๋Š” ์•ˆ์ •์„ ์ฃผ๋Š” ๋Œ€์ƒ๊ณผ ์žฅ์†Œ๋ฅผ ๋Š์ž„์—†์ด ์ฐพ์•„ ๋‚˜์„ ๋‹ค. ์‚ด์•„๊ฐˆ ๋•Œ ํ•ญ์ƒ ์–ด๋– ํ•œ ์•ˆ์ •์„ ๋ฐ”๋ผ๋Š” ๊ฒฝ๊ณ„๋ฅผ ๋งˆ์ฃผํ•˜๊ฒŒ ๋œ๋‹ค. ๊ทธ ๊ฒฝ๊ณ„์—์„œ ๋‚˜์˜ ์ž”์ž”ํ•œ ๊ฐ์ • ์ƒํƒœ๋ฅผ ์œ ์ง€ํ•˜๋Š” ๊ฒƒ์— ๋„์›€์„ ์ฃผ๋Š” ํ™˜๊ฒฝ๊ณผ ์ƒํ™ฉ์„ ์ฐพ๊ฒŒ ๋œ๋‹ค. ๊ทธ ํ™˜๊ฒฝ๊ณผ ์ƒํ™ฉ๋“ค์€ ๋Œ€๋ถ€๋ถ„์ด ๋‚˜์—๊ฒŒ ์ต์ˆ™ํ•˜๊ณ  ๋งŽ์€ ์‹œ๊ฐ„์„ ํ•จ๊ป˜ ๋ณด๋‚ด์˜จ ๊ฐ€์กฑ, ์ง‘, ๋‚˜์˜ ๋ฐฉ ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์ฃผ๋ณ€์— ์žˆ๋‹ค.

๋‚ด๊ฐ€ ์ฑ„์›Œ์ง€๊ณ  ์ž์•„๊ฐ€ ๋‹ด๊ธฐ๊ธฐ๊นŒ์ง€ ์–ด๋””์—์„œ๋ถ€ํ„ฐ ์‹œ์ž‘์ด์—ˆ์„๊นŒ๋ฅผ ์ƒ๊ฐํ•ด๋ณธ๋‹ค. ๊ทธ ์‹œ์ž‘์ ์—์„œ ์ง‘๊ณผ ๊ฐ€์กฑ์„ ๋นผ๋†“์„ ์ˆ˜ ์—†๋‹ค. ๋ถ€๋“œ๋Ÿฝ๊ณ  ํฌ๊ทผํ•œ ๊ฒƒ, ์†”์งํ•˜๊ฒŒ ๊ฐ์ •์„ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋Š” ์ง‘์—์„œ์˜ ์†Œ์ค‘ํ•œ ์‹œ๊ฐ„ ๋“ฑ์„ ๋งˆ์Œ์— ๋‹ด์•„๋‘๋ฉฐ, ์ž”์ž”ํ•œ ๊ฐ์ • ์ƒํƒœ๋ฅผ ์œ ์ง€ํ•˜๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ•œ๋‹ค. ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ๊ฒŒ ๋˜๊ณ , ๊ทธ๋ฆฌ๋Š” ๋Œ€์ƒ๋“ค์„ ์„ ํƒํ•˜๊ฒŒ ๋˜๋Š” ๊ณผ์ •์€ ์•„์ฃผ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๋„ ๋‚˜์™€ ๊ฐ€์žฅ ๊ฐ€๊น๊ฒŒ ๋งž๋‹ฟ์•„ ์žˆ๋Š” ๊ฒƒ์—์„œ๋ถ€ํ„ฐ ์‹œ์ž‘๋˜์—ˆ๋‹ค. ๋‚˜์˜ ํ”์ ์ด ์Šค๋ฉฐ์žˆ๋Š” ์ง‘๊ณผ ๋ฐฉ ์•ˆ์œผ๋กœ ๋“ค์–ด๊ฐ€๋ฉด์„œ๋ถ€ํ„ฐ ์™ธ๋ถ€์—์„œ ํ‘œ์ถœํ•ด๋‚ด์ง€ ๋ชปํ•œ ๋ถˆ์•ˆ์ •ํ•œ ๊ฐ์ •๋“ค์„ ๋ฎ๊ณ  ์•ˆ์ •๊ณผ ํ‰์˜จํ•จ์„ ์ฐพ๋Š”๋‹ค. ๋ณธ์ธ๊ณผ ๋งž๋‹ฟ์•„ ์žˆ๋Š” ํŒŒ๋ž€์ƒ‰ ๋ฒฝ์ง€, ๋„๋ธŒ๋Ÿฌ์ ธ ์žˆ๋Š” ํŒŒ๋ž€์ƒ‰ ์˜ท๊ฐ€์ง€๋“ค, ํŒŒ๋ž€์ƒ‰ ์ด๋ถˆ, ๋ฒ ๊ฐœ ๋“ฑ ๋ณธ์ธ์˜ ์†๊ธธ์ด ๋ฌป์–ด๋‚˜ ์žˆ๋Š” ๋Œ€์ƒ์„ ์žฅ๋ฉด์œผ๋กœ ๋‹ด์•„๋‚ด๊ณ  ๊ทธ ๋Œ€์ƒ์ด ํ”ผ๋ถ€์— ๋‹ฟ๋Š” ์ด‰๊ฐ์ ์ธ ๋Š๋‚Œ๊ณผ ์ˆœ๊ฐ„์˜ ๊ฐ์ • ๋“ฑ, ์ต์ˆ™ํ•จ์—์„œ ๋Š๋ผ๋Š” ํฌ๊ทผํ•จ๊ณผ ๋”ฐ๋œปํ•จ์„ ํšŒํ™” ์•ˆ์— ๋‹ด๋Š” ์‹œ๋„๋ฅผ ๊ณ„์†ํ•˜๊ณ  ์žˆ๋‹ค.

๋ฐœ๊ฐ€๋ฝ ์‚ฌ์ด๋กœ ๋“ค์–ด์˜ค๋Š” ํ„ธ์˜ ๋Š๋‚Œ,

๋ˆ„์›Œ ์žˆ์„ ๋•Œ ์•„๋น ๊ฐ€ ์ด๋ถˆ์„ ๋†’์ด ๋“ค์—ˆ๋‹ค ๋†”์ค„ ๋•Œ ๋‹ค๊ฐ€์˜ค๋Š” ๊ณต๊ธฐ์˜ ๋Š๋‚Œ,

์ด๋ถˆ์„ ๋ชธ ์‚ฌ์ด์‚ฌ์ด์— ๊ฝ‰๊ฝ‰ ๋ผ์›Œ์ฃผ๋Š” ํฌ๊ทผํ•จ,

๋ฐ–์˜ ๋ฐ”๋žŒ ๋•Œ๋ฌธ์— ๋ฒ ๊ฐœ๊ฐ€ ์ฐจ๊ฐ€์›Œ์ ธ์„œ ๋ฒ ๊ฐœ์— ์Šค๋ฉฐ๋“  ์ฐจ๊ฐ€์šด ์˜จ๋„๋ฅผ ๋งŒ์งˆ๋•Œ์˜ ๊ธฐ๋ถ„,

๋‚ก๊ณ  ๊ตฌ๋ฉ ๋‚œ ์ด๋ถˆ์˜ ๋ถ€๋“ค๋ถ€๋“คํ•œ ์ด‰๊ฐ,

๋ฐฉ ์•ˆ์— ๋’ค์ง‘ํ˜€ ๋ฒ—์–ด๋†“์€ ์–‘๋ง, ๋ธ”๋ผ์ธ๋“œ ์‚ฌ์ด๋กœ ๋“ค์–ด์˜ค๋Š” ์•„์ฃผ ์˜…์€ ํ–‡๋น›,

๋ˆ„์› ์„ ๋•Œ ๋“ค์–ด์˜ค๋Š” ๋ฐ–์˜ ํ•ด์™€ ๋“ค์–ด์˜ค๋Š” ๋น›, ์ž๊ธฐ ์ „์— ๋ˆ„์›Œ ์ฐฝ๋ฌธ ๋ฐ–์„ ๋ฐ”๋ผ๋ณผ๋•Œ ๋ณด์ด๋Š” ๋‹ฌโ€ฆ

๋‚˜๋งŒ์˜ ์žฅ์†Œ์—์„œ ๋Š๋ผ๋Š” ๊ฐ์ •๊ณผ ๋Š๋‚Œ์„ ํ•œ๋ฐ ๊ฐ์‹ธ์„œ ๊ทธ๋ฆผ ์•ˆ์— ๊ทธ ๊ธฐ์šด์„ ๊ทธ๋ ค๋‚ด๊ณ  ์žˆ๋‹ค. ๊ทธ ํ‘œํ˜„์˜ ๊ณผ์ •์—์„œ ํ•œ์ง€ ์œ„์— ํญ์‹ ํ•˜๊ฒŒ ์žฌ๋ฃŒ๋ฅผ ์–ป๋Š” ๋Š๋‚Œ, ํ•œ์ง€๊ฐ€ ๋œฏ๊ฒจ ๋ณด๋“œ๋ผ์šด ์„ฌ์œ ์งˆ์ด ๋‚˜์˜ค๊ฒŒ๋” ํ•˜๋Š” ํ–‰์œ„ ๋˜ํ•œ ๋‚ด๊ฐ€ ๊ฐ์ •์ ์œผ๋กœ ์ฐจ๋ถ„ํ•จ์„ ๋Š๋ผ๋Š” ํ•˜๋‚˜์˜ ๊ณผ์ •์ด ๋˜์–ด๊ฐ€๊ณ  ์žˆ๋‹ค. ๋ฌผ๊ฐ์„ ๋‘๊ป๊ฒŒ ๋ฎ๊ณ  ๊ฑท์–ด๋‚ด๋Š” ๊ฒƒ์˜ ๋ฐ˜๋ณต, ์‹ค๊ณผ ํ•œ์ง€๋ฅผ ์—ฎ๋Š” ํ–‰์œ„, ๋“ฑ์˜ ๋ฐฉ๋ฒ•์„ ํ†ตํ•ด ํ‘œ๋ฉด์ ์ธ ๋ถ€๋ถ„์—์„œ๋„ ๋ณด์Šฌ๋ณด์Šฌํ•œ ํฌ๊ทผํ•จ์„ ๊ฐ„์ ‘์ ์œผ๋กœ ๋‹ด์•„๋‚ด๋Š” ์ค‘์ด๋‹ค.

๋‚ด๊ฐ€ ๋ฐ”๋ผ๋ณด๋Š” ๋Œ€์ƒ๊ณผ ๊ณผ์ • ์•ˆ์—์„œ ๋ณด์—ฌ์ง€๋Š” ํƒœ๋„๊ฐ€ ๋“œ๋Ÿฌ๋‚œ ํšŒํ™”๊ฐ€ ๊ฒฐ๊ตญ ๊ณ์— ์ง€๋‹ˆ๊ฒŒ ๋˜๋Š” ํฌ๊ทผํ•จ์˜ ๋ถ€๋ถ„์ด ๋˜๊ณ  ์ด ๋ฒ”์œ„๋ฅผ ์ ์ฐจ์ ์œผ๋กœ ๋„“ํ˜€๊ฐ€๊ธธ ์›ํ•œ๋‹ค.




Q&A with Kijeong Kim

Q: ์ž‘๊ฐ€๋‹˜์˜ ๋ฐฉ์œผ๋กœ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•˜๋Š” ์—ฌ๋Ÿฌ ์ด์•ผ๊ธฐ๋“ค์„ ์—ฐ์ž‘์ฒ˜๋Ÿผ ์ง€์ผœ๋ณด์•˜์Šต๋‹ˆ๋‹ค. ์ด๋ฒˆ ๋ฐฉ์€ ์–ด๋–ค ๋ชจ์Œ์œผ๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ๋Š”์ง€ ์†Œ๊ฐœํ•ด ์ฃผ์„ธ์š”.

A: ์ด๋ฒˆ ๋ฐฉ์˜ ์ด์•ผ๊ธฐ๋Š” ์ €์˜ ํ• ๋จธ๋‹ˆ๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค. 40๋…„์„ ๋„˜๊ฒŒ ์‚ด์•„์˜ค์‹  ์ง‘์—์„œ ์ด์‚ฌ๋ฅผ ๊ฐ€์‹œ๊ฒŒ ๋˜์—ˆ๋Š”๋ฐ ์ง‘์„ ์ •๋ฆฌํ•˜๋ฉด์„œ ์ •๋ง ๋งŽ์€ ์ถ”์–ต๋“ค์ด ๋– ์˜ค๋ฅด๋”๋ผ๊ณ ์š”. ์ € ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ €ํฌ ๊ฐ€์กฑ์—๊ฒŒ๋„ ์ •๋ง ์ถ”์–ต์ด ๋งŽ์ด ๋‹ด๊ธด ์ง‘์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์˜ค๋ž˜๋œ ์ง‘์—์„œ ํ• ๋จธ๋‹ˆ์˜ ์ทจํ–ฅ์ด ๊ณ ์Šค๋ž€ํžˆ ๋‹ด๊ธด ๊ฐ€๊ตฌ๋“ค๊ณผ ๋ฌผ๊ฑด๋“ค์„ ์ •์„ฑ์Šค๋ ˆ ๋‹ฆ๊ณ  ํฌ์žฅํ•˜๋‹ค ๋ณด๋‹ˆ ์ •๋ง ์ƒˆ์‚ผ์Šค๋ ˆ ๋” ๋”ฐ๋œปํ•˜๊ณ  ์ด๋ป ๋ณด์˜€์–ด์š”. ์ œ๊ฐ€ ํ• ๋จธ๋‹ˆ์˜ ์ทจํ–ฅ์„ ๋งŽ์ด ์ข‹์•„ํ•˜๊ณ  ๋‹ฎ๊ณ  ์‹ถ์–ด ํ•˜๋Š” ๋ถ€๋ถ„์ด ๋งŽ์•˜์–ด์š”. ๊ทธ๋ž˜์„œ ์ง์„ ์ •๋ฆฌํ•  ๋•Œ๋„ ์ œ๊ฐ€ ๋ณด๊ด€ํ•˜๊ณ  ์‹ถ์—ˆ๋˜ ๋ฌผ๊ฑด๋“ค์ด ์ •๋ง ๋งŽ์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ์ค‘ ์ง‘์•ˆ์˜ ํƒ€์ผ, ์ด๋ถˆ, ์†ŒํŒŒ, ์กฐ๋ช…๋“ค์ด ํ• ๋จธ๋‹ˆ์˜ ์†์„ ๋‹ฟ๊ณ  ์„ธ์›”์ด ์Œ“์—ฌ ๋ณด์ด๋Š” ๋ชจ์Šต๋“ค์„ ์‚ฌ์ง„ ์ฐ๊ณ  ๋“œ๋กœ์ž‰ ํ•ด๋†“์œผ๋ฉด์„œ ์ž‘์—…์„ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. ์ €์™€ ๊ฐ€์กฑ๋“ค์˜ ์†๊ธธ๊ณผ ์ด‰๊ฐ์ด ๋‹ด๊ธด ๋ฌผ๊ฑด๊ณผ ๊ฐ์ •๋“ค์„ ๊ทธ๋ฆผ ์•ˆ์— ๋‹ด์•„๋‚ด์–ด ํฌ๊ทผํ•˜๊ณ  ๋‹ค์ •ํ•œ ํŒŒ๋ž‘์˜ ๊ณต๊ฐ„์œผ๋กœ ๋ณด์ด๊ธฐ๋ฅผ ๋ฐ”๋ผ๋ฉด์„œ ์ž‘์—…์„ ํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋ฌผ๊ฑด์— ๋น„์น˜๋Š” ๋น›์œผ๋กœ ์‹œ๊ฐ„์„ฑ์„ ๋‹ด์•„๋ณด๊ณ  ์‹ถ์—ˆ์–ด์š”. ๋ฐค์˜ ๋น›์ด ๋“ค์–ด์˜ค๋Š” ๋”ฐ๋œปํ•œ ๋Š๋‚Œ, ํ•ด๊ฐ€ ๋œจ๊ธฐ์ „์˜ ๋ฏธ์„ธํ•œ ๋น›์ด ๋“ค์–ด์™€์„œ ๋ณด์ด๋Š” ํ˜•์ƒ๋“ค์„ ๊ทธ๋ ค๋ณด์•˜์Šต๋‹ˆ๋‹ค.

ํฌ์ผ“ํ…Œ์ผ์ฆˆ๋ผ๋Š” ๊ณต๊ฐ„์€ ์ €์—๊ฒŒ ๋”ฐ๋œปํ•œ ์ด๋ฏธ์ง€๋กœ ๋‹ค๊ฐ€์˜ค๋Š” ๊ณต๊ฐ„์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์ €์˜ ์ž‘ํ’ˆ๋˜ํ•œ ํฌ์ผ“ํ…Œ์ผ์ฆˆ๋ผ๋Š” ๊ณต๊ฐ„์— ์Šค๋ฉฐ๋“ค ์ˆ˜ ์žˆ๋„๋ก ์žฅ์†Œ์„ฑ๊ณผ ์‹œ๊ฐ„์„ฑ์„ ์ƒ๊ฐํ•˜๊ณ  ๊ทธ ์•ˆ์— ๋“ค์–ด์žˆ๋Š” ์ด‰๊ฐ๊ณผ ๊ฐ์ •, ์ง™์€ ํŒŒ๋ž‘, ๋‚จ์ƒ‰, ํ•˜๋Š˜๋น› ํŒŒ๋ž‘์„ ์‚ฌ์šฉํ•ด ๋ฐฐ์น˜ํ•ด ์ €์˜ ๋ฐฉ ์ด์•ผ๊ธฐ๋ฅผ ๋‹ด์•˜์Šต๋‹ˆ๋‹ค.


Q: ๋ช‡ ๋…„๋™์•ˆ ํ˜„์žฌ๊นŒ์ง€ ์ž‘๊ฐ€๋‹˜์˜ ์„ธ์ƒ์€ โ€™ํŒŒ๋ž€์ƒ‰โ€˜์œผ๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ์Šต๋‹ˆ๋‹ค. ํŒŒ๋ž€์ƒ‰์„ ๋”ฐ๋œปํ•˜๋‹ค๊ณ  ํ‘œํ˜„ํ•˜์‹œ๋Š” ๋ถ€๋ถ„์ด ์ธ์ƒ์ ์ด์—ˆ๋Š”๋ฐ์š”. ๋งˆ์น˜ ๋งค์šด ์Œ์‹์„ ๋‹ฌ๋‹ค๋ผ๊ณ  ํ‘œํ˜„ํ•˜๋Š” ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ๋”ฐ๋œปํ•œ ํŒŒ๋ž‘์ด๋ž€ ์–ด๋–ค ์˜๋ฏธ๋กœ ํ•ด์„ํ•˜๊ณ  ๊ณ„์‹ ๊ฐ€์š”?

A: ํŒŒ๋ž‘์€ ์–ด๋ ธ์„ ๋•Œ๋ถ€ํ„ฐ ์ œ๊ฐ€ ๊ฐ€์žฅ ์ข‹์•„ํ•˜๋Š” ์ƒ‰์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์ง„ํ•œ ํŒŒ๋ž‘, ํ•˜๋Š˜์ƒ‰, ๋‚จ์ƒ‰, ๋ชจ๋“  ๊ณ„์—ด์˜ ํŒŒ๋ž‘์ด ๋„ˆ๋ฌด ์ข‹์•˜์–ด์š”. ๊ทธ๋Ÿฌ๋‹ค ๋ณด๋‹ˆ ์ž์—ฐ์Šค๋ ˆ ๋ชธ์— ์ง€๋‹ˆ๊ณ  ์žˆ๋Š” ํŒŒ๋ž€์ƒ‰์˜ ๋ฌผ๊ฑด๋“ค, ์˜ท, ์ด๋ถˆ ๋“ฑ ์ €์˜ ์‚ถ์—์„œ ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•˜๋Š” ๊ฒƒ๋“ค์ด ๋ชจ๋‘ ํŒŒ๋ž€์ƒ‰์ด๋”๋ผ๊ณ ์š”. ์ œ๊ฒŒ ๊ฐ€์žฅ ์†Œ์ค‘ํ•œ ์—„๋งˆ ์•„๋น  ์˜ค๋น ๋„ ํŒŒ๋ž‘์„ ์ข‹์•„ํ•ด์š”. ์‹ฌ์ง€์–ด ์ €ํฌ ๋ชจ๋‘ ํŒŒ๋ž€์ƒ‰ ๊ณ„์—ด์˜ ์˜ท์ด ๋งŽ๊ณ  ์ž ์˜ท ๋˜ํ•œ ํŒŒ๋ž€์ƒ‰ ๊ณ„์—ด์˜ ์ž ์˜ท์„ ์ž…๊ณ  ์žก๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋Ÿฐ์ง€ ํŒŒ๋ž€์ƒ‰์€ ์ €์—๊ฒŒ๋Š” ๋„ˆ๋ฌด๋‚˜ ์ต์ˆ™ํ•˜๊ณ ๋„ ํŽธ์•ˆํ•œ ์ƒ‰์ด ๋˜์–ด๋ฒ„๋ ธ์–ด์š”. ํŒŒ๋ž€์ƒ‰์ด ๋‹ค๋ฅธ ๋ฌผ๊ฑด๋“ค์— ์Šค๋ฉฐ๋“ค์–ด ์˜ท์ด ๋˜๊ณ  ์ด๋ถˆ, ์ปคํŠผ์ด ๋˜์—ˆ์„ ๋•Œ ์–ด๋–ค ๋‹ค๋ฅธ ์ƒ‰๋ณด๋‹ค ๋”ฐ๋œปํ•˜๊ณ  ํŽธ์•ˆํ•˜๊ฒŒ ๋Š๊ปด์ง€๋”๋ผ๊ณ ์š”. ๊ทธ๋ฆฌ๊ณ  ํŒŒ๋ž€์ƒ‰์ด ํ•œ์ง€์— ์Šค๋ฉฐ๋“ค์—ˆ์„ ๋•Œ ๋˜ํ•œ ๊นŠ์ด ์žˆ๋Š” ๋”ฐ๋œปํ•จ์œผ๋กœ ๋‹ค๊ฐ€์™”์–ด์š”.

ํŒŒ๋ž€์ƒ‰์„ ์‹œ์›ํ•˜๊ณ  ์ฐจ๊ฐ‘๊ฒŒ ๋Š๋ผ์‹œ๋Š” ๋ถ„๋“ค๊ป˜ ์ œ๊ฐ€ ๋Š๋ผ๊ณ  ์žˆ๋Š” ํŒŒ๋ž‘์˜ ๋”ฐ๋œปํ•จ๊ณผ ํฌ๊ทผํ•จ์„ ์ „ํ•ด๋“œ๋ฆฌ๊ณ  ์‹ถ์—ˆ์–ด์š”. ๊ทธ๋ž˜์„œ ๋” ๋ณด์Šฌ๋ณด์Šฌํ•œ ํ•œ์ง€๋ฅผ ์ ๊ทน์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๊ณ  ํŒŒ๋ž€์ƒ‰์˜ ์‹ค๋„ ํ•จ๊ป˜ ์ ‘ํ•ด์„œ ์ž‘์—…์„ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.


Q: ํ•œ์ง€๋ฅผ ์„ฌ์œ ์™€ ๊ฐ™์ด ํ‘œํ˜„ํ•˜๋Š” ๋ฐ์— ์žˆ์–ด, ํ•œ์ง€์™€ ์„ฌ์œ ์˜ ๊ณตํ†ต์ ์ธ ๋ถ€๋ถ„์„ ์ž‘๊ฐ€๋‹˜๊ป˜์„œ ๋งค๋ ฅ์ ์œผ๋กœ ๋ฐ›์•„๋“ค์ด๊ณ  ์žˆ๋‹ค๋Š” ์ธ์ƒ์ด ๋“ญ๋‹ˆ๋‹ค. ํ•œ์ง€๋ฅผ ์„ฌ์œ ๋กœ์จ ๊ธฐ๋Šฅํ•˜๋‹ค๊ณ  ๋Š๋ผ๋Š” ์ ์ด ๊ถ๊ธˆํ•ฉ๋‹ˆ๋‹ค.

A: ํ•œ์ง€๋Š” ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ๋ณด๋‹ค ๋” ์ข…๋ฅ˜๊ฐ€ ๋‹ค์–‘ํ•ฉ๋‹ˆ๋‹ค. ํˆฌ๋ช…ํ•˜๊ณ , ์–‡์€ ํ•œ์ง€, ๋‘๊ป๊ณ  ์งˆ๊ธด ํ•œ์ง€๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ €๋Š” ๋‹ค์–‘ํ•œ ์ข…๋ฅ˜์˜ ํ•œ์ง€๋ฅผ ๋งŽ์ด ์‚ฌ์šฉํ•˜๋Š”๋ฐ ๊ทธ ๊ณผ์ •์—์„œ ๋Š๋ผ๋Š” ์ ์€ ์ •๋ง ๋‹จ๋‹จํ•˜๊ณ  ์งˆ๊ธฐ๊ตฌ๋‚˜๋ฅผ ๋งŽ์ด ์ƒ๊ฐํ•ด์š”. ์ €๋Š” ๋‘๊บผ์šด ์žฅ์ง€๋ฅผ ์“ธ ๋•Œ๋Š” ์žฅ์ง€๋ฅผ ์ ‘์–ด์„œ ์—ผ์ƒ‰ํ•˜๋Š” ํ˜•์‹์œผ๋กœ ์“ฐ๊ธฐ๋„ ํ•˜๋Š”๋ฐ ํ•˜๋ฃจ ํŒŒ๋ž€ ๋ฌผ์— ๋‹ด๊ฐ€๋†“์•˜๋‹ค๊ฐ€ ๊บผ๋‚ด์„œ ๋ง๋ฆฌ๋ฉด ์ฐข์–ด์ง€๋Š” ๊ฒŒ ์•„๋‹ˆ๋ผ ํ‘œ๋ฉด์ด ๋ณด์Šฌ๋ณด์Šฌ ํ•ด์ง€๋ฉด์„œ ์ฒœ ๊ฐ™์€ ๋Š๋‚Œ์ด ๋“ค์–ด์š”. ๊ทธ๋ž˜์„œ ํŒŒ๋ž€์ƒ‰์˜ ์ข…์ด๊ฐ€ ์•„๋‹ˆ๋ผ ํŒŒ๋ž€์ƒ‰์˜ ์ฒœ์ฒ˜๋Ÿผ ๋Š๊ปด์กŒ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋Ÿฐ ๋ถ€๋ถ„๋“ค์„ ์ž‘์—…์—์„œ ๋” ์ ๊ทน์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ๊ณ  ์•ž์œผ๋กœ ํ•˜๊ฒŒ ๋  ์ž‘์—…์—์„œ๋„ ํ•œ์ง€๋ฅผ ๋ฐ”ํƒ•์žฌ๋กœ ์ด์šฉํ•˜๋Š” ๋™์‹œ์— ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ฎ๊ณ , ๊ฐ์‹ธ์ฃผ๋Š” ์—ญํ• ๋กœ ๋ณด์—ฌ์ฃผ๋Š” ์ž‘์—…์„ ํ•˜๊ณ  ์‹ถ์–ด์š”.


Q: ์ด๋ฒˆ ์ „์‹œ์—์„œ ๋ˆˆ์— ๋„๋Š” ์ž‘ํ’ˆ โ€˜moon light #1โ€™์— ๋Œ€ํ•œ ์งˆ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ธฐ์กด์— ์–ผ๊ธฐ์„ค๊ธฐ ์—ฎ์–ด์ง„ ์‹ค ์œ„์— ํ‰๋ฉด์ด ๋†“์—ฌ์ ธ์žˆ๋‹ค๋ฉด, ์‹ ์ž‘์—์„œ ํ‰๋ฉด ์ž‘์—…์ด ๋ถ„ํ•ด๋˜์–ด ์ง์กฐ๋กœ ์‹ค๊ณผ ํ•จ๊ป˜ ์—ฎ์ž…๋‹ˆ๋‹ค. ๊ฒฌ๊ณ ํ•˜๊ณ ๋„ ํ™•์‹ ์ด ๋Š๊ปด์ง€๋Š” ๋ณ€ํ™”๋กœ๋„ ๋Š๊ปด์กŒ์Šต๋‹ˆ๋‹ค. ์ด ๋ถ€๋ถ„์— ๋Œ€ํ•œ ์ž‘๊ฐ€๋‹˜์˜ ์ƒ๊ฐ์„ ๋“ฃ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.

A: ์ด์ „์—๋Š” ํ•œ์ง€์— ์ž‘์—…์„ ํ•˜๊ณ  ์‹ค์„ ์—ฎ๋Š” ์ž‘์—…์„ ๋”ฐ๋กœ๋”ฐ๋กœ ํ•ด์„œ ํ’€๋กœ ๋‘๋“œ๋ ค์„œ ๋ฐฐ์ ‘์„ ํ•˜๊ฑฐ๋‚˜ ๋‘ ๊ฐœ๋ฅผ ์‹ค๋กœ ์—ฎ์–ด์„œ ์ž‘์—…์„ ํ•ด์™”์Šต๋‹ˆ๋‹ค. ๊ทธ ๋ฐฉ๋ฒ•์€ ์ž‘ํ’ˆ์ด ์ปค์กŒ์„๋•Œ ํ•œ์ง€์™€ ์‹ค์ด ํ•œ๋ชธ์ด ๋˜๊ฒŒ ์ ‘ํ•ฉ์‹œํ‚ค๋Š” ๊ฒƒ์— ์–ด๋ ค์›€์ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์ด๋ฒˆ์— ์ž‘์—…์„ ํ•˜๋ฉด์„œ๋Š” ํ•œ์ง€์™€ ์‹ค์ด ์ •๋ง ํ•˜๋‚˜์˜ ๋ชธ์ด ๋˜์–ด ์ปคํŠผ, ์นดํŽซ์ฒ˜๋Ÿผ ๋Š๊ปด์ง€๊ฒŒ ํ•˜๊ณ  ์‹ถ์—ˆ์–ด์š”. ๋ปฃ๋ปฃํ•œ ํŽด์ง€๋Š” ๋Š๋‚Œ์ด ์—†๊ณ  ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ๊ฑธ๊ฐœ์ฒ˜๋Ÿผ ๊ฑธ๋ฆฌ๊ฑฐ๋‚˜ ๋ฎ์ด๊ธฐ๋ฅผ ์›ํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋” ์ ๊ทน์ ์œผ๋กœ ํ•œ์ง€๋ฅผ ์ž๋ฅด๊ณ  ์—ฎ๋Š” ์‹œ๋„๋ฅผ ํ•ด๋ณด์•˜๋˜ ๊ฒƒ ๊ฐ™์•„์š”. ์ด ๋ฐฉ๋ฒ•์ด ๋” ์ต์ˆ™ํ•˜๊ณ  ์†์— ๋ถ™์œผ๋ฉด ๋” ์žฌ๋ฏธ์žˆ๋Š” ์ž‘์—…์„ ํ•ด๋‚˜๊ฐˆ ์ˆ˜ ์žˆ์„ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์ด๋ฒˆ ์ž‘์—…์„ ํ•˜๋ฉด์„œ ๋‹ค์Œ ์ž‘์—…์€ ์–ด๋–ป๊ฒŒ ํ•˜๊ณ  ์‹ถ์€์ง€๋„ ์ƒ๊ฐ์ด ๋‚˜์„œ ์„ค๋ ˆ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.


Q: ์ž‘๊ฐ€๋‹˜์˜ ์ด๋ฒˆ ํ‘ธ๋ฅธ ๋ฐฉ์— ๋“ค์–ด์˜ค์‹œ๋Š” ๊ด€๋žŒ๊ฐ ๋ถ„๋“ค๊ป˜์„œ ๋Š๋ผ๊ธธ ๋ฐ”๋ผ๋Š” ๊ฐ์ • ํ˜น์€ ๋ฉ”์‹œ์ง€๋ฅผ ๋‚จ๊ฒจ์ฃผ์„ธ์š”.

A: ๋”ฐ๋œปํ•˜๊ณ  ์†Œ์ค‘ํ•œ ๊ธฐ์–ต์„ ๋– ์˜ฌ๋ฆฌ๋Š” ์ˆœ๊ฐ„์ด ๋˜์—ˆ์œผ๋ฉด ์ข‹๊ฒ ์–ด์š”. ํŒŒ๋ž€์ƒ‰์ด๋ผ๋Š” ์ƒ‰์„ ์ข‹์•„ํ•˜๋Š” ๋ถ„๋“ค์€ ์ด ์ƒ‰์ƒ ์†์—์„œ ๋‹ค์–‘ํ•œ ์˜๊ฐ์„ ์–ป๊ณ , ์ž‘ํ’ˆ ์†์˜ ํŒŒ๋ž‘์„ ํ†ตํ•ด ์ž์‹ ์˜ ๊ธฐ์–ต ์† ๋”ฐ๋œปํ•œ ์ˆœ๊ฐ„์„ ๋– ์˜ฌ๋ฆด ์ˆ˜ ์žˆ๋Š” ์‹œ๊ฐ„์ด ๋์œผ๋ฉด ์ข‹๊ฒ ์–ด์š”. ํŒŒ๋ž€์ƒ‰์„ ํ†ตํ•ด ๋ณธ์ธ์ด ์ข‹์•„ํ•˜๋Š” ์ƒ‰์„ ๋– ์˜ฌ๋ฆด ์ˆ˜๋„ ์žˆ๊ณ  ๋ณธ์ธ ์ฃผ์œ„์— ์žˆ๋˜ ๋‹ค๋ฅธ ์‚ฌ๋žŒ์„ ๋– ์˜ฌ๋ฆฐ๋‹ค๋ฉด ์ข‹์€ ๊ฒฝํ—˜์ด ๋  ๊ฒƒ ๊ฐ™์•„์š”. ํŒŒ๋ž€์ƒ‰์— ๋Œ€ํ•œ ํŠน์ •ํ•œ ์ƒ๊ฐ์ด ์—†์œผ์…จ๋˜ ๋ถ„์€ ์ด๋ฒˆ ์ „์‹œ๋ฅผ ๊ณ„๊ธฐ๋กœ ์ฐจ๊ฐ‘๊ณ  ์‹œ์›ํ•œ ํŒŒ๋ž‘์ด ์•„๋‹Œ ๋”ฐ๋œปํ•จ ํ™”์‚ฌํ•จ ํฌ๊ทผํ•จ์„ ๋Š๋ผ๋ฉด ์ •๋ง ์ข‹์„ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์‹ค๋“ค์ด ํ•˜๋‚˜, ๋‘˜ ๋ญ‰์น˜๊ณ  ์—ฌ๋Ÿฌ ๋ฒˆ์˜ ๋ฐ˜๋ณต์„ ํ†ตํ•ด ๋‹จ๋‹จํ•ด์ง€๊ณ , ์‹ค๋“ค์ด ํ•œ์ง€ ์กฐ๊ฐ๋“ค๊ณผ ํ•จ๊ป˜ ์–ด๋– ํ•œ ํ˜•ํƒœ๋ฅผ ์ด๋ฃจ๋ฉด์„œ ๊น€๊ธฐ์ •์ด ์ƒ๊ฐํ•˜๋Š” ์ถ”์–ต์„ ํŒŒ๋ž€์ƒ‰์œผ๋กœ ๋ฎ์–ด๋ณด์•˜๋Š”๋ฐ, ๊ทธ ๋ฐฉ์„ ์™€์„œ ๊ด€๊ฐ๋ถ„๋“ค๋„ ํฌ๊ทผํ•œ ๊ฐ์ •๋“ค์„ ๊ณต์œ ํ•ด ๋ณด์…จ์œผ๋ฉด ์ข‹๊ฒ ์Šต๋‹ˆ๋‹ค.



Q: Your series often begins with stories from your own room. Can you tell us about the collection featured in the room at this exhibition?

A: The stories in this room start with my grandmother. She recently moved out of the house where she lived for over 40 years, and while helping her pack, so many memories came flooding back. This house held countless memories not just for me but for my entire family. As I carefully cleaned and packed my grandmother's furniture and belongings, which reflected her unique taste, I found them even more warm and beautiful. I have always admired and wanted to emulate my grandmother's sense of style, so there were many items I wanted to keep.

I began this project by photographing and drawing the tiles, blankets, sofas, and lights in the house, all of which bore the marks of my grandmother's touch and the passage of time. I wanted to capture the objects and emotions that held the tactile memories of me and my family, transforming them into a cozy, gentle blue space within my artwork. Additionally, I aimed to convey a sense of time through the light reflecting on these items. I painted scenes with the warm light of night, the subtle light just before dawn, and the shapes illuminated by these lights.

Pokettales, as a space, evokes a warm image for me. I wanted my artwork to blend seamlessly into this environment, considering the sense of place and time. Using deep blue, navy, and sky blue, I arranged my pieces to tell the story of my room within the welcoming confines of Pokettales.


Q: For years, your world has been enveloped in 'blue.' Your description of blue as a warm color is quite intriguing, almost like describing spicy food as sweet. How do you interpret 'warm blue'?

A: Blue has always been my favorite color since childhood. I love all shades of blue like deep blue, sky blue and navy. Naturally, many of my personal belongings, like clothes and blankets, are blue. Even my parents and my brother also love blue. In fact, we all own many blue clothes and even wear blue pajamas. Because of this, blue has become a very familiar and comforting color to me. When blue is incorporated into items like clothes, blankets, and curtains, it feels warmer and more soothing than any other color.

When blue seeps into hanji (traditional Korean paper), it also exudes a deep warmth. I want to convey the warmth and coziness I feel with blue to those who perceive it as a cool or cold color. This is why I actively use softer hanji and combine it with blue threads in my work.


Q: Your approach to using hanji as a textile is fascinating. It seems you find the similarities between hanji and fabric particularly compelling. How do you see hanji functioning as a textile?

A: Hanji is far more diverse than people might think. There are transparent, thin varieties, as well as thick, tough ones. I use a wide range of hanji types, and throughout this process, Iโ€™ve realized just how strong and durable hanji can be. When I use thick hanji, I often fold and dye it. After soaking it in blue dye for a day and then drying it, the surface doesn't tear but becomes soft and fluffy, resembling fabric.

This transformation makes the blue paper feel more like blue cloth to me. I actively incorporate these qualities into my work, and I plan to continue using hanji as a foundational material. I aim to create pieces where hanji not only serves as a base but also covers and wraps objects, much like fabric.


Q: In this exhibition, the piece "moon light #1" stands out. In your previous works, flat elements were laid on top of intricately woven threads. However, in this new piece, the flat elements are deconstructed and woven together with the threads. This change feels solid and confident. Could you share your thoughts on this transformation?

A: Previously, I would work on the hanji paper and then separately weave the threads, later joining them by either gluing or sewing. This method posed challenges when the pieces became larger, as it was difficult to seamlessly glue hanji and threads together. For this work, I aimed to make the hanji and threads truly one, so they felt like a curtain or carpet hanging or draping softly. I wanted the pieces to flow smoothly, like fabric. Thus, I experimented more boldly with cutting and weaving the hanji. As I grew more comfortable with this method, I found it more enjoyable and engaging. This approach not only suits my current work but also excites me for future projects.


Q: What emotions or messages do you hope visitors to your blue room will take away?

A: I hope they experience moments of warmth and cherished memories. For those who love the color blue, I hope they find inspiration within its shades and recall their own warm memories through the blues in my artwork. It could be a time to reminisce about their favorite color or think about someone. For those who may not have had specific thoughts about blue, I hope this exhibition introduces them to a sense of warmth, brightness, and coziness rather than just the usual coolness associated with the color blue. As threads come together, intertwine, and form shapes alongside pieces of hanji, representing memories through blue, I hope visitors to the room also share in those cozy emotions.





Artworks

Night Patches
๊ฐ€๋ณ€ ํฌ๊ธฐ
์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ, ์‹ค
2024





Light Patches
๊ฐ€๋ณ€ ํฌ๊ธฐ
์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ, ์‹ค
2024





Moonlight #1
165 ร— 113 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰
2024
Window #1
64 ร— 67 cm
์—ผ์ƒ‰ํ•œ ์ฒœ, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰
2021-2024
Moonlight #2
78 ร— 32 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰
2024





๋“œ๋ฆฌ์šด ๊ทธ๋ฆผ์ž # 6
57.4 ร— 34 ร— 4 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2021
๋“œ๋ฆฌ์šด ๊ทธ๋ฆผ์ž # 15
57.4 ร— 34 ร— 4 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2022
๋“œ๋ฆฌ์šด ๊ทธ๋ฆผ์ž # 8
57.4 ร— 34 ร— 4 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2021





Shadow Touch #1
57.4 ร— 34 ร— 4 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰
2021
๋“œ๋ฆฌ์šด ๊ทธ๋ฆผ์ž # 15
79 ร— 62 ร— 6 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2021
Shadow Touch #2
57.4 ร— 34 ร— 4 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰
2024






Light
31.5 ร— 22 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2024
๋“œ๋ฆฌ์šด ๊ทธ๋ฆผ์ž # 10
26 ร— 16 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2022
Window #2
32 ร— 23 cm
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰
2024





Hug
16 ร— 16 cm (๊ฐ)
์งœ์—ฌ์ง„ ์‹ค, ์ˆœ์ง€์— ๋ถ„์ฑ„๋กœ ์ฑ„์ƒ‰, ๋ชจ๋ธ๋ง ํŽ˜์ด์ŠคํŠธ
2022-2024






Artist

๊น€๊ธฐ์ • (b.1993)


๊น€๊ธฐ์ •์€ ๋ถ€๋“œ๋Ÿฝ๊ณ  ํฌ๊ทผํ•œ ๊ฐ๊ฐ, ์•ˆ์ •๊ฐ์„ ์ฃผ๋Š” ์ต์ˆ™ํ•œ ๊ฒƒ๋“ค์— ๋Œ€ํ•œ ๊ธฐ์–ต๊ณผ ๊ฐ์ •์„ ํšŒํ™”์  ์–ธ์–ด๋กœ ํ‘œํ˜„ํ•œ๋‹ค.  ์ž์‹ ์„ ํˆฌ์˜ํ•œ ์ƒ‰์œผ๋กœ์„œ์˜ ํ‘ธ๋ฅธ ๊ณ„์—ด ์ƒ‰์ฑ„, ์ง€์ง€์ฒด(ํ•œ์ง€)์˜ ๊ฐ€๋ฒผ์šด ๋ฌผ์„ฑ๊ณผ ์ด๋ฅผ ๋œฏ๊ฑฐ๋‚˜ ๋ฌธ์ง€๋ฅด๋Š” ๋“ฑ ๋ฌผ๋ฆฌ์  ๋ณ€ํ˜•์„ ํ†ตํ•ด ์ž์•„๋‚ผ ์ˆ˜ ์žˆ๋Š” ๋‹ค์–‘ํ•œ ์งˆ๊ฐ ๋“ฑ์ด ์ž์•„๋‚ด๋Š” ์‹œ๊ฐ ์™ธ์˜ ๊ฐ๊ฐ์— ์ง‘์ค‘ํ•˜๋ฉฐ ์ž‘์—… ์„ธ๊ณ„๋ฅผ ๊ตฌ์ถ•ํ•ด ๋‚˜๊ฐ„๋‹ค.
ํŒํ™”๋ฅผ ๋ฒ ์ด์Šค๋กœ ํ•˜์ง€๋งŒ ์ด๋ฅผ ํ‰๋ฉด์—๋งŒ ๊ตญํ•œ์‹œํ‚ค์ง€ ์•Š๊ณ  ํŒํ™”์  ๊ฐœ๋…์„ ์„ค์น˜, ์ž…์ฒด, ์˜์ƒ, ์‚ฌ์ง„ ๋“ฑ ํƒ€ ๋งค์ฒด์— ์ ‘๋ชฉ์‹œํ‚จ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์šฐ๋ฆฌ ์ฃผ๋ณ€์—์„œ ์‚ฌ์†Œํ•˜๊ฒŒ ์—ฌ๊ฒจ์ง€๋Š” ๋Œ€์ƒ๋“ค์˜ ๊ฐ€์น˜๋ฅผ ์‹œ๊ฐํ™”ํ•˜๋Š” ์ž‘๊ฐ€์ด๋‹ค.


Education
2017
2020
์ดํ™”์—ฌ์ž๋Œ€ํ•™๊ต ๋™์–‘ํ™”๊ณผ ํ•™๋ถ€ ์กธ์—…
์ดํ™”์—ฌ์ž๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์›  ๋™์–‘ํ™”๊ณผ ์„์‚ฌ ์กธ์—…


Exhibition

- Solo

2024 
2023 
2021
2019 
2018
ใ€ŠShadow Touchใ€‹_pokkettales
ใ€ŠEternal Roomใ€‹_์ƒˆ๊ณต๊ฐ„
ใ€ŠBY MY SIDEใ€‹_์˜จ์ˆ˜๊ณต๊ฐ„
ใ€Š์ž”์ž”ํ•œ ์ˆ™๋ฉดใ€‹ _ ์ดํ™”์•„ํŠธ๊ฐค๋Ÿฌ๋ฆฌ
ใ€Š์ฒฉ์ฒฉ็–Š็–Šใ€‹_์ค‘๊ฐ„์ง€์  

- Group

2023
2022


2021


2020


2018


2017
ใ€ŠFountainใ€‹_๊ฐ•๋‚จ AC ํ˜ธํ…” ๋ฐ”์ด ๋ฉ”๋ฆฌ์–ดํŠธ
ใ€ŠBehind you 100%ใ€‹_Artlab ban_ (2์ธ์ „)
ใ€ŠSurface Tensionใ€‹_ ์ค‘๊ฐ„์ง€์ 
ใ€ŠInto The Lightใ€‹_์ œ์ฃผ ํŒŒ๋ฅด๋‚˜์Šค ํ˜ธํ…”
ใ€Š21์„ธ๊ธฐ ํšŒํ™”ใ€‹_ํ•˜์ดํŠธ ์ปฌ๋ ‰์…˜
ใ€Š์ œ8ํšŒ ์•„๋งˆ๋„์• ๋‰ด์–ผ๋‚ ๋ ˆ ๋ชฉํ•˜์ง„ํ–‰์ค‘ใ€‹_์•„๋งˆ๋„์˜ˆ์ˆ ๊ณต๊ฐ„_(๊ธฐํš์ž๋กœ ์ฐธ์—ฌ)
ใ€Š๋” ํ”„๋ฆฌ๋ทฐ ํ•œ๋‚จใ€‹_๋ธ”๋ฃจ์Šคํ€˜์–ด NEMO ํ™€
ใ€Šcocooningใ€‹_์ค‘๊ฐ„์ง€์ _(2์ธ์ „)
ใ€Š๋‹ซํ˜€์žˆ๋Š” ์ƒ์ž์—ด๊ธฐใ€‹_์ด๋Œ€์„œ์šธ๋ณ‘์› wellness art zone
ใ€Š์‹ ๋ก์˜ ์˜์—ญใ€‹_๋ถ„๋‹น์„œ์šธ๋Œ€ํ•™๊ต ๋ณ‘์› SPACE U
ใ€Š๋•…๋”ฐ๋จน๊ธฐโ€™4โ€™P : back and forth againใ€‹_5 percent
ใ€Š์ œ๊ฐ•์ด ์ถค์„ ์ถœ ๋•Œใ€‹_์ค‘๊ฐ„์ง€์ 
ใ€Š๋์—†๋Š” ๊ฐ•๊ณผ ์‚ฐ๊ณผ ๊ณ„๋‹จใ€‹_whitenoise
ใ€Š๋‚ญ๋งŒ์ ์ธ ์ผํƒˆใ€‹_์œ ์ค‘์•„ํŠธ์„ผํ„ฐ
ใ€ŠArt Asia-์•„ํŠธ์œ ๋‹ˆ๋ฒ„์‹œ์•„๋“œใ€‹_์ผ์‚ฐ ํ‚จํ…์Šค
ใ€Š์ž‘์€ ๊ทธ๋ฆผ์ „ SMALL IS BEAUTIFULใ€‹_์ดํ™”์ต ๊ฐค๋Ÿฌ๋ฆฌ


Awards / Selected
2022
2021
์„œ์šธ๋ฌธํ™”์žฌ๋‹จ ์ฐฝ์ž‘์˜ˆ์ˆ ์ง€์›
์„œ์šธ๋ฌธํ™”์žฌ๋‹จ ์ฐฝ์ž‘์˜ˆ์ˆ ์ง€์›

Project
๊น€์ฐฝ์ˆ˜ ์œ„์Šคํ‚ค ์•„ํ‹ฐ์ŠคํŠธ ์ฝœ๋ผ๋ณด


๊ณต๊ฐ„์šด์˜ ๋ฐ ์ฝœ๋ ‰ํ‹ฐ๋ธŒ ํ™œ๋™
2018~2022 ์ค‘๊ฐ„์ง€์  ๊ณต๊ฐ„ ์šด์˜ ๋ฐ ์ฝœ๋ ‰ํ‹ฐ๋ธŒ๋กœ ํ™œ๋™





โ—ป๏ธŽ Artist: ๊น€๊ธฐ์ • Kim Ki Jeong @kkkkkkkijeong
โ—ป๏ธŽ Photography : ๊ณ ์ •๊ท  Jungkyun Goh
โ—ป๏ธŽ Text: ๊น€์ฑ„์†ก Chaesong Kim_pokettales director  / ๊น€๊ธฐ์ • Kim Ki Jeong

โ—ป๏ธŽ Q&A: ๊น€์ฑ„์†ก Chaesong Kim_pokettales director / ๊น€๊ธฐ์ • Kim Ki Jeong 
โ—ป๏ธŽ Design: STUDIO PKTD
 
ยฉ 2024. KIM KI JEONG. All rights reserved.






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